The first half of the film has more laughs than the
second half but overall, BUCK PRIVATES COME HOME is a fine and funny
sequel to Abbott and Costello's signature film BUCK PRIVATES. The plot
somewhat resembles that of Laurel and Hardy's army comedy PACK UP YOUR
TROUBLES, in which Stan and Ollie try to find the relatives of an
orphaned little girl. In BUCK PRIVATES COME HOME, Bud and Lou
wish to adopt their orphaned little girl, whom the authorities wish to
send back to France. Laurel and Hardy's film, their second
feature, was a disjointed affair with too much plot and not enough
comedy. Abbott and Costello's film strike just the right balance.
Perhaps as a nod to their borrowing from the masters, the
screenwriters use two Laurel and Hardy gags in the film - a dialog gag
from the short Beau Hunks and a sight gag from Chickens Come Home.
The first half has several funny routines not seen in other films, such as the boys setting a table they are unaware is precariously balanced on only one sawhorse, and Bud as a shifty tie salesman and Lou as his shill. There is also a beautifully timed "in through one door and out of the other" routine featuring Lou and Nat Pendelton trying to find each other.
In the second half of the film, the plot plays
out, but not in a heavy-handed way. Thankfully, Beverly Simmons,
the little girl on whom the plot revolves around, was pretty talented
for her age and the rest of the cast featured such stalwarts
as Joan Shawlee, Donald MacBride, Russell Hicks and Nat
Pendleton, reprising his Sgt. role from the original BUCK PRIVATES.
Despite the usual tacked-on slapstick chase ending, BUCK PRIVATES
COME HOME was the start of a major comeback for Abbott and Costello,
whose last few film, including the classic THE TIME OF THEIR LIVES, did
poorly at the box office.
- JB
NO TIME FOR SERGEANTS
This was character actor Nat Pendleton's final film of his career.